What You Do Afterwards
Creativity is all about what you do afterwards.
I’m thinking about something that Miles Davis said about jazz improvisation: "It’s not the note you play that’s the wrong note–it’s the note you play afterwards that makes it right or wrong."
In improvisation, you don’t know what an action means until later. The group creates meaning, by responding and building on that action. This happens all the time in improv theater, and it’s what gives it such creative power. I call it retroactive interpretation. In improv, actors intentionally speak lines of dialogue that are ambiguous, utterances that can be interpreted in multiple ways. Actors do this on purpose–not because they’re lazy thinkers, or they’re just trying to fill up time. Improvising these ambiguous actions takes a lot of creativity. It’s not easy to say something that opens up possibilities for the scene, and doesn’t close down possible futures, but something that also provides enough specifics to drive a scene forward, to give other actors something to work with. Actors know that the improvised dialogue that follows their action will soon provide a meaning to what they did.
I think this is so fascinating! Imagine: To act, without knowing what your action means. To act, trusting the group to interpret your action later. To act, while you relinquish control over what your own action means.
This isn’t what most of us do in everyday life. When you say something, you own it. You get to say what it means. If someone else interprets it differently, you jump in and correct them. To do improv, you need to completely change the way you approach conversation. You have to give away power and control, to the conversation itself. The conversation creates, not the individual speakers. The conversation takes on a life of its own. Meaning emerges from the collective, sequential, unfolding utterances of each speaker.
In group improvisation, no single person gets to decide what everything means. No single person even gets to decide what their own actions mean. The group creates, not the individual.
How do you relate to the notion of acting while relinquishing control over what your action means? Can you share a personal story of a time you were able to act while letting go of your ownership of that action and its meaning? What helps you be mindful of how you can open up possibility with your actions?
Most of life is spent in improv! We have little control over most things in life (unless we live in a bubble!). My thoughts , ideas, experience, world view, words, prayers, actions, music, silence ... bounce off of others thoughts, ideas, experience, world view, ect ... everyday! Where two or three are gathered, there is improv. Like with cooking, mixing different ingredients together in variety of different of ways, a unique outcome is created every time! Thanks be to God!
There are times when my action is my right action, simply an expression of what feels right to me in that moment. In so doing, my action is meaningful to me because I'm being true to myself. I never know what my action means to the other. I don't let go of my ownership of my action -- I do let go of its meaning to the other, which is outside my control. What helps me stay mindful of how I can open up possibility with my action is to keep as my mantra 'process, not outcome,' which promotes a kind of improvising because I have no script or agenda in mind. When my action is my truth and independent of what it means to the other, I'm integrated, free and creative, and possibilities for growth open.
